Facebook’s Illuminating Algorithmic Cruelty

The ever-presumptive and unremittingly faux-positive peer pressure of Facebook is doing its part this Christmas to re-open wounds of hurt from 2014 for a bunch of people. Their Year In Review combines algorithmically-selected photographs and text from Facebook postings throughout the year. It was probably conceived in good faith; they clearly anticipated it would promote thankfulness. I think it will be widely regretted rather than welcomed, for the reasons Eric Meyer explains in the moving post from which my title is adapted.

Facebook's assumption of celebration

Frankly my year was not one for balloons

They could definitely have phrased the accompanying text better, not to mention omitted the randomly-selected cover photo – the equivalent Year In Photos at Google+ doesn’t trigger me in the same way, maybe for lack of text. Better, they could have thought through the subject a little more and realised plenty of people, though thankful for so many things, may prefer an algorithm not to force them back through the year. Humans are able to act with discretion, and to know when they are presumptive. Computers are unable to act with any more discretion than their programmer, and usually much less.

My own year has had much that I value, but little of it has been shared with Facebook so my own edition is largely valueless. It also thankfully omits the things that make me cry, like the memory of my mother’s passing this spring or the six months of triage following it. If you’ve chosen to share with Facebook, this is a wake-up call that you have also given them the implicit permission to make you relive memories on command.

Frankly it’s no worse than the other things you’ve given them permission to do with the intimacies you’ve shared. They are just as free with advertisers and social data miners; you just don’t have that rubbed in your face. If you dislike “Year In Review” you probably will hate the things they do with your data without telling you (even if they have secured your permission in advance through their Terms of Service).

In case you were wondering, it’s safe to ignore it; the card displayed on your profile is only visible to you, and as long as you don’t press the “Share” button that appears when you view it, no-one else will see it. You can stop the reminder showing up by clicking the arrow in the top right corner (see below) and telling Facebook not to show the post again. Pity it wasn’t just a button and a “hide this” option for those of us who don’t list Facebook among our confidantes. Algorithms can’t exercise discretion; don’t use them for things that demand it.

☆ Beware The “Super-Public”

As wave after wave of privacy news arrives, it’s easy to believe that public postings on social media sites are the problem. But I believe we are facing an issue caused not by public sharing but by an encounter with a new kind of “public”. First, a short story.

Alice, Bob and Evan

Close Scrutiny

Alice doesn’t mind her photo being visible to everyone on Facebook. She put it there originally because she was flirting with Bob, and the fact everyone else could see it wasn’t an issue. She had spent a lot of time understanding Facebook’s privacy settings in all their labyrinthine splendour and she was pretty sure that the only people who could see personal details about her on Facebook were friends, and the only people who could see the stuff on her Wall were the girlfriends she goes out with when Bob isn’t free, plus Bob (well, for all but one or two things!).

Alice is also a keen Twitter user. She has a different picture there – a flower at the moment, it was a kitten last month – and she’s happy to have a public profile. Her tweets are rarely very personal – just comments on the news, LOLs with the girls, food favourites and a wink to the gallery each time she went out with Bob. She’s been getting into Foursquare lately, checking-in at cinemas, restaurants and bars in a casually competitive way with the girls and with Bob’s mates. She’s often quite high in the league tables and she’s the mayor of the cocktail bar round the corner from her flat.

When she split up with Bob, she actually used all of those social media services more than usual because she hoped the girls – and maybe one or two of Bob’s mates – would rally round to make it hurt a bit less. That was OK for the first week, and she was distracted by fighting for top place in the Foursquare league table with Lavinia. Then one evening she was sitting in the sparsely-populated cocktail bar on her own, feeling depressed and Bob-less. Nursing a glass of the amazing chocolate cocktail that’s not on the menu but which she’s fallen in love with, she’s lost in a miserable dream world when some guy she has never seen there before walks in and sit beside her.

Chocolate MartinisHe made a bee-line for her, as if she had a spotlight bean shining on her, asked if the stool next to her was taken and introduced himself as Evan. That wasn’t something that had ever happened to Alice before – the guys always hit on her friends, never on her. Evan isn’t really her type; he’s probably a few years younger than her and has the air of an extra from The Big Bang Theory. Alice is quite surprised when he asks the waiter for a glass of the same cocktail – by name. She’d assumed it was just the regulars who knew about it, and there was no way this Evan was a regular at the bar. She’s even more surprised when Evan strikes up a conversation with her.

As they start to exchange trivia, Alice discovers Evan has seen almost every movie she’s been to in the last two months. What’s more, he liked all the same ones as her and hated all the ones she hated. His taste in books is also excellent. She’s starting to wonder if she’s been missing out by her antipathy for geeks.  Finally the last olive is eaten and Evan suggests they go grab a meal, her guard is down. So when he proposes dinner at the Greek place Bob used to take her to, she had no defenses left.

Public and Super-Public

Spontaneous Gathering of MonarchsI’m no novelist (all those names are borrowed from security theory) and I don’t know how this story ends. But I do know Evan’s secret. He was exploiting a new kind of “public” using an iPhone app called “Girls Around Me”, which aggregated together information from all the social media tools Alice was using and gave him the ability to eavesdrop on her activities. Alice had a reasonable expectation that all her public activities would be seen by all her friends, and no particular concerns that any of them might be seen by strangers. She was engaging in what researcher Danica Radovanovic has called “phatic posts”, providing public context to her life with what seemed trivial information in the same way as a group of friends in the real world might do.

In the real world, “public” is accompanied by practical realities that introduce a little friction. To listen to Alice and Bob in the  bar, Evan would need to sit close enough to hear them, and they’d probably notice and change their discussion. To see all the places Alice went and the things she likes, he would need to take the time to follow her covertly. His actions would quickly be apparent as obsessive and problematic – Rick Falkvinge explains this more.

But in the new “super-public” of data-mined social media, the friction is gone, and the sort of information Evan used to find and meet Alice was simply the product of triangulation between her posts. The software he downloaded for his iPhone did it all for him, although he is probably enough of a geek to stitch together scripts that would harvest the JSON from dozens of REST interfaces and use open source business intelligence tools to mine the resulting data. It’s unlikely any privacy rules would even be implicated, let alone broken

That’s the issue here. Sharing information in phatic posts is normal and expected – it’s just the translation of life in atom-space into life in bit-space. What’s new is the super-public, the exposure of life to scrutiny by triangulation and data-mining. So far, no privacy legislation takes it into proper account. Companies, however are now actively mining the super-public.

Discussion of privacy treats it as a bilateral matter between the subject of the data and the application provider, focusing on “do not track” and application privacy settings. While this is important (as the scandal of Facebook’s Social Reader shows). we need to move to a place – as Helen Nissenbaum has explained – where we see privacy as a matter of control of the flow of information across contexts. We need to discuss and legislate for the super-public.

(First published in ComputerWorldUK on April 10, 2012)