☞ Should Justin Bieber Go To Jail?

If you found my article in ComputerWorldUK yesterday too long and/or complicated, this campaign web site is the perfect alternative: Free Justin Bieber.

☝ On Ecclesiastes and Pornography

Filtering “pornography” without any way to define what it is can only harm our society, and seeing it proposed is yet another reminder that the “Ecclesiastes Principle” still holds true. You can read about this on ComputerWorldUK.

☆ The Social Media Chorale

Chatting with Jill earlier, I ended up watching this TED talk by composer Eric Whitacre:

Which led me to his Virtual Choir project, which I found exceptionally beautiful and moving:

and to this year’s Virtual Choir 2.0, which drew together an astounding pool of global talent:

I’m moved by both works, by the beauty of the music as well as by the grace of the gathering together of strangers to create that beauty. I think I’ll enjoy the CD that contains both works (I’ve ordered it from Amazon UK; also on Amazon US).

The Value Of Social Media

Both of those Virtual Choir videos are the product of social media, downloading and peer-to-peer systems. Groups of people have voluntarily contributed their own voice and performance to collectively create a larger work beyond the scope of any one – or even any group – of them locally. When legislators lash out blindly at “social media” or “downloading” it harms not just the underclass they are briefed by lobbyists to envisage but also the creative energy of a meshed global society.

We saw during the London riots that social media was the vehicle for the expression of cohesiveness and contribution as well as for frustration and destructiveness. Here we see social media as the vehicle for creativity and beauty in an area we are being told it’s only used to “steal” and damage.

The truth is that tools are amoral (which does not automatically imply immoral), producing whatever the hands that hold them intend. We already have plenty of laws in our society which deal with malicious intent. I remain unconvinced we need new laws to deal with its modern expressions through new technology.  We need to tell our political representatives that banning social media, downloading, peer-to-peer and other technologies because they have only heard about the bad uses is wrong.

☝ Out Of Tune With Community

The first release of the contributor agreements created by Project Harmony were published last Monday. I participated in the Project, but I don’t endorse it. Find out why over on ComputerWorldUK.

☆ GagaGate, DRM and How To Cripple The Cloud

I’ve been watching the music marketing stunt that Amazon have pulled today with some interest. The story is that Amazon US are selling the new Lady Gaga album Born This Way in digital-only form for $0.99 today only – the whole album for the price of a track (no luck in the UK where the album is £3.99). As the news has spread, it’s obviously being bought in huge quantities – it’s currently the #1 purchase – and transferred straight to Cloud Drive, Amazon’s new online music locker and player.

Except it’s not. Customers have now been reporting for several hours that it’s not showing up in their accounts – only the digital booklet and in some cases one or two tracks are showing up. Amazon admits there’s a problem – their PR folk are churning out responses (clearly cut and paste from Twitter) to press inquiries saying

We’re experiencing high volume and downloads are delayed. If customers order today, they will get the full @ladygaga album for $0.99. Thanks for your patience.

That text has also replaced the bold claims about being able to listen to the album straight away on the product page. What could possibly be going wrong? After all, it’s very straightforward to add a pointer to a shared file into a directory, and I think that’s all Cloud Drive does with purchased music (which is why storing it there is free – symbolic links are virtually free). Amazon is clearly embarrassed by it – they are busily deleting customer comments from the product if they even mention the outage, regardless of the star rating.

One clue is the product details of the album. They include the text “Record Company Required Metadata: Music file contains unique purchase identifier. Learn more.”  Follow the link and you’ll find:

Embedded in the metadata of each purchased MP3 from this record company are a random number Amazon assigns to your order, the Amazon store name, the purchase date and time, codes that identify the album and song (the UPC and ISRC), Amazon’s digital signature, and an identifier that can be used to determine whether the audio has been modified.  In addition, Amazon inserts the first part of the email address associated with your Amazon.com account

I think that’s the answer. My hunch is that the GagaGate meltdown is all the fault of DRM. Rather than just adding a pointer to a shared file to the Cloud Drive, Amazon are required by the record company to create a unique copy of the file for every customer, watermarked digitally signed to show who bought it. What’s more, the unique copy includes at least one MD5 hash that has to be computed on a per-file basis. So Amazon has both an enormous computing task and potentially an enormous storage bill (assuming it doesn’t just compute the watermark signature on the fly at download, which is possible but doesn’t help with the compute bill).

All for what? Removing the metadata is unlikely to be massively challenging (albeit illegal under the DMCA). This means the record label is crippling their retailer’s business just so it can express its mistrust and low esteem for its paying customers while doing pretty much nothing to actually protect revenues –  that it already knows will be enormous – from serious criminals. Congratulations to the label, you’ve managed to turn a great example of how to compete with “free” into a bad experience for your customers.

One more observation: The Amazon UK digital download does not mention watermarking/signing. I wonder whether it’s because the record label trusts the British, or whether it’s just not disclosed?

[Updated to reflect information I received that the file has a uniquely-computed digital signature added, rather than a watermark. Lower (still significant) compute burden but even easier to remove]

☝ OO.o, TDF and CLAs

Yesterday I read LWN’s (paywalled but accessible from here) interview with Mark Shuttleworth, where he is quoted as saying that the formation of The Document Foundation (TDF) and its launch of LibreOffice “led Oracle to finally decide to stop OpenOffice development and lay off 100 employees.”  Mark says this in the context of his new campaign as an apologist for Contribution Licensing Agreements, about which I have written extensively.

I felt that Mark’s use of OpenOffice.org as an argument in favour of CLAs was jaw-dropping, so I wrote a response on the plane home today. You can read it now behind LWN’s paywall using my special link.

☝ Wormtongue’s Lobbyists

As Glyn Moody discussed yesterday, the Business Software Alliance (BSA) annual report on “piracy” is out. I hate that usage – the word “piracy” refers to about the worst crime humanity is able to conceive, involving theft by intimidation, hostage-taking, rape and murder, and it is cynical marketing of the most disgusting kind for the BSA to continue to equate it with the unauthorised use of copyright materials, perhaps under circumstances their own members have created.

On this topic, I’ve taken today’s link post and expanded it on it over on ComputerWorldUK – take a look.

☞ A Chain Of Cause And Effect

  • Excellent and insightful comments from SSRC on the BSA’s as-poor-as-you’d-expect 2010 report. I just hope that there are legislators taking note of this research.
  • Given we all know their reports are biased rubbish now that SSRC has published their report, why do they keep publishing it? It’s because it is part of the foodchain – along with uncritical politicians who can’t distinguish between lobbyists and citizens – that leads to bad laws like the US PROTECTIP Act and the Digital Economy Act in the UK. The BSA’s report is specifically engineered to trigger over-reaching, citizen-hostile legislation. The BSA’s position is the ultra-extremist end-of-scale marker that ought to be regarded as such as we take a much more moderate view as the basis of legislation. Instead it’s taken as fact by credulous legislators. All the time they keep being rewarded, they’ll keep publishing.
  • With the regulatory capture of the USA’s copyright system pretty much complete, last year’s COICA has mutated into this year’s PROTECTIP with the lip service responses to criticisms of the proposed legislation actually rendering it even more harmful. The tragedy here is that there’s no-one at all to speak for culture, for youth, for posterity, for artists and for the collaborative creativity of the 21st century. It seems to me there’s no reform possible since all the people who would draft new approaches are in the pockets of the very industries needing regulation.
  • Here’s a more detailed look at PROTECTIP.
  • Is there really no-one in the White House who can see the irony that the US is demanding an end to state interference abroad while the Protect IP Act and the grand jury investigating Wikileaks are both in progress in the USA?

☆ Meddling In Foreign Affairs

Special 301 Report 2010 Priority Watch List Wa...

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The Special 301 Report is an annual publication by the US Trade Representative (USTR), fulfilling US legal requirements to identify countries whose copyright, patent, trademark and trade secrets laws and practices are of concern to the USA. You may recall I’ve written unflatteringly about USTR before. The report’s content reflects the input of US trade lobbyists, most of whom are in the employ of well-funded industry consortia such as the BSA, MPAA and RIAA, allowing the actual corporate beneficiaries of the lobbying to remain hidden.  This year’s report has just been published and I’ve just read through its 53 pages so you don’t have to. I admit to being left depressed by the experience.

It’s no different in tone or purpose from the reports of earlier years, of course. That means it continues to be an expression of the willingness of the USA to throw its considerable commercial and political weight around in order to persuade other sovereign governments to act against the interests of their citizens and native industries in order to protect and advance the cause of the USA’s movie, music, software and pharmaceutical industries. It’s couched in terms of abiding by treaties, but those who pay the Danegeld will find their prisons filling, their healthcare costs rising and their cultural expression controlled from the west.

Bullying Democracies

A striking characteristic of Special 301 reports is an unapologetic bullying of other states without regard for their own democratic systems. There is a repeated motif along the lines of “we told you to change things so you would police the market for US products, but your legislature or government agency refused to do so to our satisfaction” which shows up time and time again. As Ars Technica noted, the USA’s neighbour and valued trading partner Canada – hardly a wayward banana republic – is severely chastised on page 27 because the operation of its domestic democracy did not lead to the outcome USTR had demanded:

Unfortunately, Canadian efforts in 2010 to enact long-awaited copyright legislation were unsuccessful. The United States encourages Canada to make the enactment of copyright legislation that addresses the challenges of piracy over the Internet, including by fully implementing the WIPO Internet Treaties, a priority for its new government.

On page 32 the USA wants to interfere in the domestic controversy in Brazil around its copyright reform, giving a hint why Ana de Hollander may not care much what her citizens think:

The United States urges Brazil to ensure that any amendments to its copyright law provide strong protections and establish means to enable effective enforcement against IPR violations that are committed on the Internet.

and on page 36 Italy is criticised:

The United States also encourages Italy to address other IPR issues, including a troubling Data Protection Agency ruling prohibiting the monitoring of peer-to-peer networks.

There are other examples too.

Demands

This bullying is the consequence of ignoring earlier demands from the USA to implement laws. You can see these demands too – try the ones to India on page 28:

The United States also recommends that India improve its IPR regime by providing for stronger patent protection. Particular concerns have been raised regarding provisions of India’s Patent Law that prohibit patents on certain chemical forms absent a showing of increased efficacy, thereby possibly limiting the patentability of potentially beneficial innovations, such as temperature-stable forms of a drug or new means of drug delivery.

and to Chile on the same page:

The United States also urges Chile to provide adequate protection against unfair commercial use, as well as unauthorized disclosure, of undisclosed test or other data generated to obtain marketing approvals for pharmaceutical products, and to amend its Internet service provider liability regime to permit effective action against any act of infringement of copyright and related rights.

both of which have a significant story behind them in the country in question. Again, the report is full of other examples.

Harmonisation

Most worrying of all to me is the way the blunt instrument of Special 301 is being used in areas where law and practice in the USA is not going the way USTR and its corporate advisors want it to go. When this happens, the mechanism by which correction is being applied is by creating international agreements and practicies which can then be brought back to the USA “for harmonisation”. Obvious examples listed on page 6 include ACTA and TPP, both of which are likely to be a blunt instrument used in the future to get the US Congress to change the USA’s laws.

My eye was drawn to the actions against China, however. The tirade against China runs to many pages, but the text on page 22 is notable for the way it tries to push RAND (that’s individually and privately negotiated patent royalty terms) on standards and frame royalty-free terms as anti-competitive:

However, the draft measures provide that when mandatory national standards incorporate patented technologies, there is the possibility of a compulsory license if a patent holder does not grant a royalty-free license.    This differs from the typical practice of accredited standards developing organizations in other countries, which require disclosure of intellectual property in the standards development process and support “reasonable and nondiscriminatory” (RAND) licensing policies with respect to intellectual property that is incorporated into a standard.

Certainly in the world of software that is regressive. As open source has risen in importance, so has the understanding of why royalty-free – in fact, restriction-free – licensing terms for patents that read on implementations of standards are vital for an open market. The result has been that more and more specification and standards bodies have agreed to set royalty-free terms as the baseline for new work. In turn, royalty-free terms are becoming a procurement requirement. Pressing China to head in the opposite direction could well be a calculated move to push against this trend.

Worrying Interference

Taken together, Special 301 continues to be a worrying and undesirable interference by the USA in the sovereign affairs of other countries. While exceptional abuses – such as commercial-level export of dangerous counterfeit goods – are fair game and reasonable subject for the expression of diplomatic concern, the activities of USTR seem to me to have passed the bounds of reasonableness and gained a life of their own. Like the broomstick in the Sorcerer’s Apprentice, they are now under the control of unseen powers who will sweep away things of value in the name of keeping the house clean. It has to be time for a review of that activity.

☞ Transparent Government